Chris Millar
Eddie Got Borsched, 2006/2007
Acrylic on canvas
36" x 32"; 91.4 x 81.3 cm
Collection of Rob Colcleugh, Calgary
Photo credit: John Dean
Chris Millar entices us into his own private universe with a myriad of wondrous tiny details and then holds onto our amazed attention as he unfolds his outrageous tall tales and fantastical yarns. The
The Untimely Transmogrification of the Problem features Millar’s largest sculpture to date, 370H55V (2011), and surrounds it with works made since 2004. To transmogrify is “to change or alter greatly and often with grotesque or humorous effect,” an apt description of what Millar does to everyday reality and, also, to the practice of painting. The exhibition of nine paintings and two sculptures demonstrates to the eye how Millar coaxed a two- dimensional painting surface into fully three-dimensional, freestanding structures made of paint. As in one of Millar’s works, which speak both to the human imagination and to human folly, the story is there to be seen.
Chris Millar was born in