In part five of our six-part series, we take a closer look at a painting by Isaac de Jouderville, Rembrandt’s second student. That Rembrandt started to attract students and could charge a significant amount for apprenticeships around 1630 shows that his reputation was growing.
Image featured: Isaac de Jouderville, Minerva in Her Study, about 1631, oil on panel. Denver Art Museum, Denver. Gift of the Bonfils Foundation, 1959.114.
Leiden circa 1630: Rembrandt Emerges was curated by Dr. Jacquelyn N. Coutré, organized and circulated by the Agnes Etherington Art Centre at Queen’s University, with the support of the Isabel and Alfred Bader Fund of Bader Philanthropies, Inc. and the Government of Canada.