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Featuring 38 artists and collectives across two provinces and five treaty territories, borderLINE calls attention to how borders are defined, who can enforce them, and what is confined by their limits.

Processor examines the translations between analogue and digital technologies, exploring these negotiations as metaphor for a myriad of issues.

LandMark is the second in a series of exhibitions supported by a Canada Council for the Arts “New Chapter” grant, that showcase new acquisitions to the AGA’s permanent collection of work by Indigenous, Métis and Inuit artists.

In late 2015, curators Peta Rake and Kristy Trinier travelled extensively across Alberta for studio visits. Then, in summer 2016 they invited artists to collaborative workshops in Banff. This informed the title for the time being: what it means to be in between spaces and times.

Mixed media installation in Manning Hall by Svea Ferguson, in conjunction with for the time being: The Alberta Biennial of Contemporary Art

This new exhibition brings together the work of two renowned contemporary Canadian artists – Damian Moppett and Ron Moppett.

Future Station: 2015 Alberta Biennial of Contemporary Art is an examination of the creative practices at work with Alberta artists and ultimately an expression on what it feels like to be an artist in Alberta. 

In 1924, Alberta artist Byron Harmon organized an expedition to take the first significant photographs and film-footage of a newly chartered territory: the Columbia Icefield.

Entitled The News from Here: The 2013 Alberta Biennial of Contemporary Art will explore the theme of post-regionalism in the context of Alberta art.

This exhibition of early women modernists, all born before the end of the First World War (1918), will highlight a selection of artists engaged from the late 1930s to the 1970s with different currents of modernism.

Mixed media installation in Manning Hall by Svea Ferguson, in conjunction with for the time being: The Alberta Biennial of Contemporary Art