Camille Turner is an explorer of race, space, home and belonging. Straddling media, social practice and performance art, her work has been presented throughout Canada and internationally. Wanted, a collaboration with Camal Pirbhai, was shown most recently at the Art Gallery of Ontario and uses the trope of fashion to transform 18th century newspaper posts by Canadian slave owners into contemporary fashion ads. Freedom Tours, created collaboratively with Cree-Metis artist Cheryl L’Hirondelle is a national commission for LandMarks 2017/Repères 2017 that consists of participatory, site-specific events that re-imagine and reanimate land and water from Black and Indigenous perspectives. The Afronautic Research Lab is a reading room in which participants encounter buried histories. The Landscape of Forgetting, a walk created collaboratively with Alana Bartol and sonic walks HUSH HARBOUR and The Resistance of Peggy Pompadour evoke sites of Black memory that reimagine the Canadian landscape. Miss Canadiana, one of her earliest projects, challenges perceptions of Canadianness and troubles the unspoken binary of “real Canadian” and “diverse other.” Camille is the founder of Outerregion, an Afrofuturist performance group. She has lectured at various institutions such as University of Toronto, Algoma University and Toronto School of Art and is a graduate of Ontario College of Art and Design and York University’s Masters in Environmental Studies program where she is currently a PhD candidate.
The Art Gallery of Alberta respectfully acknowledges that we are located in Treaty 6 Territory and Region 4 of the Metis Nation of Alberta. We respect this as the traditional and contemporary land of diverse Indigenous Peoples including the Plains Cree, Woodland Cree, Beaver Cree, Nitsitapi/Blackfoot, Métis, Nakota Sioux, Anishinaabe/Saulteaux/Ojibwe and Dene Peoples. We also acknowledge the many Indigenous, Inuit and Métis people who make Alberta their home today.